Nearly a decade has passed since SHINER played their final show at the Madrid Theatre in 2003. The group left their legacy at a high point, having released a handful of acclaimed full-lengths and singles on labels ranging from Sub Pop (freshly into their Warner partnership) to Kansas City’s own Anodyne Records. The band was heralded for their affinity for twinkly, spaced out guitar work and chunky riffs, and were contemporaries of fellow space-rock cohorts Hum and Failure, managing to curate a sizable fan base in their eleven years of activity.
All things must come to an end, and the same is true for SHINER. The band existed no more, but the members were anything but silent in their projects that followed. Allen Epley returned shortly after with The Life and Times, a band that to this day releases material able to rival that of SHINER’s in their sonic magnitude. Josh Newton and Paul Malinowski (both formerly bassists in Season to Risk) as well as Jason Gerken (Molly McGuire) all saw fleeting glimpses of celebrity in their acts to follow, Newton joining nationally touring bands From Autumn to Ashes and Every Time I Die, and Malinowski and Gerken taking up with Open Hand.
Years of silence came from the band, and occasionally a blip would surface with rumors of a reunion. Record nerds had something new to be excited about in early 2012, when news that the band’s final full-length The Egg was finally getting the vinyl treatment. In addition to this, the band announced that they would come together for a few reunion shows later in the year. Four reunion shows, to be exact — and it doesn’t take a genius to piece together that Epley lives in Chicago, Newton in NYC, Gerken in LA, and Malinowski in KC, making three of the four shows in the largest metropolitan areas in the country, but only one in the best (spoiler alert: I’m talking about Kansas City).
Today, the Granada in Lawrence revealed that they will be the host of the band’s single area reunion, to be held Friday, August 24th. The $20 tickets will be released this Friday, and it is suggested that you grab yours quickly, as it will surely sell out. No openers have been announced yet, but come on, does that really matter?
UPDATE 04/24/12 — the rest of the band’s reunion shows have been announced, and are as follows:
08/11/12 @ Irving Plaza (New York City)
08/18/12 @ Echoplex (Los Angeles)
08/24/12 @ The Granada (Lawrence)
08/25/12 @ The Bottom Lounge (Chicago)
This won’t be news to anyone who already follows the local music announcements that have been building in anticipation of this year’s Middle of the Map festival, but Kansas City’s own Molly McGuire will be reuniting for what is currently being billed as a one-off show. The band’s recently successful kickstarter campaign also means we can expect a new album from them in the near future, and on vinyl to boot. Joining Molly onstage will be a Men Are Monkeys, Robots Win era Season to Risk (meaning they will have Shiner‘s Josh Newton in tow), a reunion from The Esoteric (no word on whether this will be career-spanning, or focus on their earlier, more experimental sounds), and an opening slot from the never-quite-broken-up Cher UK.
Molly McGuire has not played live in over a decade, and were a mainstay at venues like The Hurricane (now Riot Room). As the band ran its natural course, the members’ musical interests began to skew in varying directions. The band Gunfighter was started as a side-project, but after the Epic Records-released (and Ken Andrews-produced) Molly album Lime, what was once a hobby band gradually pulled in all of front man Jason Blackmore’s focus. Upon Gunfighter becoming his primary concern, Blackmore moved to California to begin anew, with a fresh take on his songwriting. The band, like any other, ran its natural course through various lineup changes and eventually sputtered out quietly with a death rattle few were paying attention to at that point.
Blackmore then experimented with the mercifully short-lived Kingdom of Snakes, a quartet which garnered Molly, S2R and Shiner drummer Jason Gerken, and featured two members from the nu-metal band Nothingface. Let us all take a moment of silence to appreciate the quickness with which that project ended. Blackmore still resides in California to this day, and began talking with his former band mates about an album which they were never able to record and release, and what the chances would be anyone would still care. If the kickstarter is any indication (pulling in almost $6,500 with a $5,000 goal), the people are anxiously awaiting the new material.
The show is scheduled for April 5th at the RecordBar, and is slated to be a kickoff, of sorts, for the festival. The first 500 MOTM ticket purchasers are guaranteed entry (not that the venue holds that many) and it is first come, first served after that.
I would be a fool to hunt down and post every local show happening in the coming months. The metro area is experiencing a musical boom, and has been for the past few years, so I suppose limiting myself in the amount of shows I post here is both good and bad. Good that there are so many choices, but bad in that I don’t wish to show preferential treatment against those I choose to exclude. These days, most local events are pretty easy to track via the bands, venues or promoters participating in them, so if you miss out on something you only have yourself to blame.
CANCELED: The September 29th Unwritten Law show at The Beaumont Club has been canceled, likely due to co-headliner The Ataris inexplicably dropping off the bill. The show previously had three KC bands in support, including Hipshot Killer, Bent Left, and Le Grand. Hipshot Killer is one of the best melodic punk bands to come out of KC in a long time. If you haven’t already, you can pick up the band’s debut 12 inch at Vinyl Renaissance on 39th Street. For the tech savvy, a digital version can be purchased from their bandcamp here. Bent Left has been a mainstay in the local punk scene for the better part of a decade, and has many politically-charged albums and EPs which can be purchased either through local stores or directly from the band. Le Grand, while not my bag, probably has a built-in fanbase with high schoolers who love auto-tuned and frankly generic pseudo-punk and/or radio-friendly “screamo.” Not trying to put baby in a corner or anything, but I have to call it like I hear it.
09/23: Kansas City via Chicago (or vice versa) space rockers The Life and Times are heading up an event at Crosstown Station for those who want to punish their eardrums (in a good way, of course). Not only will this be one of the venue’s last shows before their untimely demise of being turned into an urban church, but it will be one of only two times the headliner will make an appearance in our town before the end of the year (the other being an opening slot on the 11/04 HUM show at recordBar). Opening the Crosstown show will be thirty-something favorites Dirtnap (Are they together? Are they split up?), Larryville newcomer indie-pop sensations Cowboy Indian Bear, and Cherokee Rock Rifle, a hard-rockin’, hard-drinkin’, hard-sexin’ foursome with only one release under their belt, but a steadily growing local following due to the charisma of bar tending front man Nathaniel “Dutch” Humphrey.
10/01: Crosstown Station will be saying it’s goodbyes with a final live music show on October 1st. The list of names on the bill is long, not the least of which is a rare reunion from Giants Chair, co-creators of a ’90s indie rock sub-genre lovingly referred to by some as the “Kansas City sound” (shared in part with Molly McGuire, Shiner, et al). Also performing as part of the festivities will be Be/Non (the ever-changing sounds of the prolific Brodie Rush), Thee Water Moccasins (a side project of Roman Numerals), Minden (new project from members of Kelpie), Olivetti Letter (a brand spankin’ new band with members of To Conquer, Season to Risk, Doris Henson, and many others), Olympic Size (a mostly one-off project between members of Doris Henson, The Belles, and Roman Numerals that still pop up for an occasional gig), local jazz outfit Diverse (who often team up with other local musicians to pay tribute to past influences), and the synth-heavy sounds of Parts of Speech. Other unannounced and unbilled (Major Games) special guests are expected to appear, and if you are free that evening, you would be wise to attend.
10/15: Kansas City label The Record Machine is releasing a new split 7 inch between locals Soft Reeds and Minden, and The Brick will serve as host to their record release on October 15th. Also opening will be TRM newcomers Deadringers. The event will be 21+, and the cover will probably be $7. Even if the flier says $5, bring $7, as the venue in question has a history of magically increasing their cover charges the evening of the show. Hear Deadringers’ single publicly released demo track here, and while we’re on the topic of TRM, go here to stream and purchase the debut LP from Ad Astra Arkesta. New releases (and coinciding release shows) can be expected from Capybara and Max Justus before the end of the year as well. If 2010 treated The Record Machine well, and 2011 has placed them in a local spotlight, it will be interesting to see what 2012 has in store for the label.
10/25: Last but not least, Season to Risk will be playing a very unexpected second gig this October, opening for the once great Helmet (or, as they have become since reuniting, Page Hamilton & Co) at Riot Room. Locals Waiting For Signal will be rounding out what is currently only a three band bill, sure to give at least some in the crowd a migraine due to either S2R’s smoke machine, or the deafening wall of noise coming from much of the lineup. Helmet has reportedly been playing a respectable amount of their older material, covering a lot of songs from Betty, Aftertaste, Meantime, and Strap It On. But, as is to be expected, at least part of their set will involve some of their newer, inferior songs as well. Season to Risk revealed before their first show of 2011 last month that they have now written two new songs as an inactive band. There is hardly any chance they will ever be recorded, so if you want to hear them, you know what you need to do.
Kansas City’s Actors&Actresses has a sound that far surpasses what one would expect from just three people. The trio have steadily built a national fan base thanks to their label The Mylene Sheath (Gifts From Enola, Junius, Giants) with which they have worked for most of their existence. The label released the band’s latest studio output, 2009’s Arrows (recorded at Eudora’s Black Lodge with David Gaume of The Stella Link), though they most recently re-issued the band’s 2005 debut EP, We Love Our Enemy (recorded at HUM frontman Matt Talbot’s studio with the great Paul Malinowski of Shiner). With the recording details listed above, I think one can surmise that the band is largely influenced by a sonically driven, spaced out rock that has been championed by the likes of Failure, HUM, and Shiner, among others.
While those who are looking forward to brand new A&A tracks will have to wait a bit longer, their take on HUM’s “Aphids” can be found on the recently released tribute compilation to the aforementioned, Songs of Farewell and Departure. Locals Anakin and The Esoteric are featured on the album as well, performing “I’d Like Your Hair Long” and “Iron Clad Lou,” respectively. Author side note, I’m confused as to why no band attempted a re-imagining of “Diffuse,” a top 3 favorite of mine from the band. But perhaps this is for the best, lest it be tainted by a group who should not even be included in the first place (ahem, Funeral For a Friend).
On Friday, September 23rd, The Mylene Sheath will begin accepting pre-orders for ARC: Arrows Remix Compilation, a 14-track (digital) or 8-track (vinyl) remix and reinterpretation album, featuring various artists de- and re-constructing songs from the band’s 2009 album. A few of the artists featured include Philip Jamieson of Caspian (under the guise The Atlas Ladder), Will Benoit of Constants (using the name New Rochelle Rotary Club), Arms & Sleepers, and other artists who may have crossed paths with the label in the past. Only 207 copies of this release will be available on vinyl, and only part of that will be available for pre-order from the label. If you want to get in on this, either get your mouse finger ready or track down one of the members of the band.
Additional nerd note: in 1993, HUM’s “Diffuse” appeared on a compilation CD released by Lawrence label Lotus Pool, titled Feast of the Sybarites. The compilation was populated primarily by Midwestern bands, including local artists Howard Iceberg and the Titanics, Sufferbus, Kill Creek, Rise, Panel Donor and Zoom. The last two bands on that list had releases through the label around that time as well. The compilation is worth seeking out for fans of local music.