Hello, and welcome to the fourth installation of a column I’ve been ignoring on this site. The music download round-up is a series of posts chronicling area bands and artists offering direct music downloads either for free or for a small fee (no more than $5). Releases included will typically be those that have been available for more than a few months, or albums from artists that are buzz-worthy but aren’t yet ready for their own dedicated post. This post, like the last, has no real recurring theme, but I recommend checking out every one of them.
Radar Defender – Sleep Dreaming Mammal (2010) – This EP took me completely by surprise the first time I listened to it, and it still gets frequent play to this day. The seven songs therein are filled with groove-heavy bass lines and poppy guitar hooks laid against a keyboard backdrop, and contain much of the same time capsule quality as many of the greatest hits from The Rentals, The Amps, and The Breeders. The EP just had its second birthday recently, so for the love of local music I really hope we can all expect something new on the way from Scott Burr, Tyler Snell, and company. Follow the link for a pay what you want download.
Lite Loins – Country House (2012) – If Radar Defender is Scott Burr and Tyler Snell’s commemoration to the laid-back tunes of a mid ’90s Kim Deal, then Lite Loins would be Thadd Lewis, Dane Carlson and Cal Santos’ exaltation of Steve Albini’s work in Shellac from the same era. The mix is purposely filthy and at times warps like a water-logged cassette, but the six tracks could just have easily been pulled from the long-neglected shelves of Sub Pop or Touch & Go when their output was still respectable. This EP can be found along with another one for free at the link to the band’s homepage. Both were mixed and released posthumously.
Grizzly J Berry – Tour Demo 4.20 (2011) – I have mixed feelings about this one. The songs are well recorded, and display some pretty decent technical guitar work akin to something in the Kinsella bloodline (American Football, Cap’n Jazz, many others). At the same time, the sound present on this recording has been a little played out now that it’s been successfully muddled down by bands like Maps & Atlases. The EP thankfully stays away from the beating of a dead horse and keeps things from getting too predictable by adding in a Mars Volta-style prog element. Free download from this defunct band at the link.
Major Games – EP1 (2011) – On the topic of weirdo prog, I present to you one of my favorite debuts from last year. I’d be remiss if I posted this EP without mentioning the great Lawrence acts from which these men came. Bassist Jeremy Sidener played in early ’90s band Zoom, guitarist Doug McKinney played in the equally revered Panel Donor (which was later joined by Sidener on guitar), and drummer Steve Squire played guitar in Everest with McKinney. The EP is textured with a reasonable measure of pedal work, and at times ventures into pure noise before coming back to a structured sound. Get it for $2.50 at the link. Worth every cent.
Power and Light – EP (2012) – It’s no secret that I adore the works of Andrew Connor. If you’ve read this blog before, you may have seen me refer to his songwriting style as a “Midas touch,” and I still stand by that statement. Between working with Ghosty (who are on the eve of releasing a new album) or playing with The ACB’s, Connor found time to collaborate with local producer Nathan Readey, and the end result is three tracks of woozy, synth-filled Euro pop that instantly became a city-wide sensation. I’m not here to tell you what’s hip and underground, my only purpose is to show you what is good. Free download at the link.
I would be a fool to hunt down and post every local show happening in the coming months. The metro area is experiencing a musical boom, and has been for the past few years, so I suppose limiting myself in the amount of shows I post here is both good and bad. Good that there are so many choices, but bad in that I don’t wish to show preferential treatment against those I choose to exclude. These days, most local events are pretty easy to track via the bands, venues or promoters participating in them, so if you miss out on something you only have yourself to blame.
CANCELED: The September 29th Unwritten Law show at The Beaumont Club has been canceled, likely due to co-headliner The Ataris inexplicably dropping off the bill. The show previously had three KC bands in support, including Hipshot Killer, Bent Left, and Le Grand. Hipshot Killer is one of the best melodic punk bands to come out of KC in a long time. If you haven’t already, you can pick up the band’s debut 12 inch at Vinyl Renaissance on 39th Street. For the tech savvy, a digital version can be purchased from their bandcamp here. Bent Left has been a mainstay in the local punk scene for the better part of a decade, and has many politically-charged albums and EPs which can be purchased either through local stores or directly from the band. Le Grand, while not my bag, probably has a built-in fanbase with high schoolers who love auto-tuned and frankly generic pseudo-punk and/or radio-friendly “screamo.” Not trying to put baby in a corner or anything, but I have to call it like I hear it.
09/23: Kansas City via Chicago (or vice versa) space rockers The Life and Times are heading up an event at Crosstown Station for those who want to punish their eardrums (in a good way, of course). Not only will this be one of the venue’s last shows before their untimely demise of being turned into an urban church, but it will be one of only two times the headliner will make an appearance in our town before the end of the year (the other being an opening slot on the 11/04 HUM show at recordBar). Opening the Crosstown show will be thirty-something favorites Dirtnap (Are they together? Are they split up?), Larryville newcomer indie-pop sensations Cowboy Indian Bear, and Cherokee Rock Rifle, a hard-rockin’, hard-drinkin’, hard-sexin’ foursome with only one release under their belt, but a steadily growing local following due to the charisma of bar tending front man Nathaniel “Dutch” Humphrey.
10/01: Crosstown Station will be saying it’s goodbyes with a final live music show on October 1st. The list of names on the bill is long, not the least of which is a rare reunion from Giants Chair, co-creators of a ’90s indie rock sub-genre lovingly referred to by some as the “Kansas City sound” (shared in part with Molly McGuire, Shiner, et al). Also performing as part of the festivities will be Be/Non (the ever-changing sounds of the prolific Brodie Rush), Thee Water Moccasins (a side project of Roman Numerals), Minden (new project from members of Kelpie), Olivetti Letter (a brand spankin’ new band with members of To Conquer, Season to Risk, Doris Henson, and many others), Olympic Size (a mostly one-off project between members of Doris Henson, The Belles, and Roman Numerals that still pop up for an occasional gig), local jazz outfit Diverse (who often team up with other local musicians to pay tribute to past influences), and the synth-heavy sounds of Parts of Speech. Other unannounced and unbilled (Major Games) special guests are expected to appear, and if you are free that evening, you would be wise to attend.
10/15: Kansas City label The Record Machine is releasing a new split 7 inch between locals Soft Reeds and Minden, and The Brick will serve as host to their record release on October 15th. Also opening will be TRM newcomers Deadringers. The event will be 21+, and the cover will probably be $7. Even if the flier says $5, bring $7, as the venue in question has a history of magically increasing their cover charges the evening of the show. Hear Deadringers’ single publicly released demo track here, and while we’re on the topic of TRM, go here to stream and purchase the debut LP from Ad Astra Arkesta. New releases (and coinciding release shows) can be expected from Capybara and Max Justus before the end of the year as well. If 2010 treated The Record Machine well, and 2011 has placed them in a local spotlight, it will be interesting to see what 2012 has in store for the label.
10/25: Last but not least, Season to Risk will be playing a very unexpected second gig this October, opening for the once great Helmet (or, as they have become since reuniting, Page Hamilton & Co) at Riot Room. Locals Waiting For Signal will be rounding out what is currently only a three band bill, sure to give at least some in the crowd a migraine due to either S2R’s smoke machine, or the deafening wall of noise coming from much of the lineup. Helmet has reportedly been playing a respectable amount of their older material, covering a lot of songs from Betty, Aftertaste, Meantime, and Strap It On. But, as is to be expected, at least part of their set will involve some of their newer, inferior songs as well. Season to Risk revealed before their first show of 2011 last month that they have now written two new songs as an inactive band. There is hardly any chance they will ever be recorded, so if you want to hear them, you know what you need to do.
September 15th will mark the unexpected return of Lawrence’s The Only Children to Kansas City’s Riot Room. The group quietly went on hiatus shortly after the release of their sophomore release, 2007’s Keeper of Youth, and even frontman and Anniversary co-creator Josh Berwanger has kept mostly low-key in that time, unassumingly working in his career as a high school basketball coach. The band has plans to head in to the studio soon to record their third full-length, likely with another revolving cast of musicians.
Opening for the band will be Casey Prestwood & the Burning Angels, the eponymous leader of which once played drums for Hot Rod Circuit and contributes to The Only Children. Also playing is Major Games, a trio best described as a grown-up mix of Lawrence’s Zoom and Panel Donor, and while it would be a stretch to lump the band in with the resurgence of twinkly riffed or reverb heavy shoegaze present in a variety of sounds these days, the members play a spaced out and prog-heavy sound of rock just begging for a conceptual full-length.
On the inverse, and decidedly not staying low-key is Anniversary co-creator Justin Roelofs, a man who has seemingly gone from being a mere mortal human to some kind of sentient, dimension-traversing being traveling the known realms of time and space. At least that is what the man would have you believe. Roelofs’ White Flight project is mid-way through a Kickstarter project for his new album, Pyramid of Light. I know not if he truly has the audacity to believe his project can get the over $12,000 in pledges required to succeed, or he created the entire project as a scheme to get people talking about his upcoming album. If he chose the latter, then he is without a doubt succeeding.
The project still has nearly a month left, but one who pledges can expect to get things such as “a 40 min. long sonic collage MIXTAPE made by White Flight in 2011, via mp3 download” for the lowest tier, or an “Amazing Crystal Quartz Necklace made by my partner Daughter of the Sun” for $111. Hell, for a meager $1,111, you can be so lucky as to receive “a CUSTOM larger scale sacred geometry painting, we can determine the image, color, etc. together via a phone conversation or skype session. Also I will share teaching on the I-Ching oracle in this conversation and teach you how to use it to make positive decisions in your life, if you aren’t already familiar with this system.” Sounds like quite a steal, that. Read the rest of the details from the project here.